Blackwell: A Response Edmund de Waal

‘It is a painful thing for an architect to design a mantelpiece for which he dares not hope to choose the ornaments, and which may become a resting place for he knows not what atrocities in china and glass.’
Baillie Scott – The Studio, vol 6 1896 p105

I have only seen Blackwell in sun. They say there is other weather, but for me it is a house that I have explored, thought about and made for, negotiated only by the shifting patterns of sun and shade. It is a strange series of dynamic spaces: a house that reveals itself in different tempi, long slow corridors, unexpected openings, deferred thresholds. Over the last two years on my visits to the house I have been obsessing, quietly but insistently, about the ways in which the house uses light and shade, how we are manipulated in our movements through the building by the placing of windows. In a more conventional house we rarely think of their placement. At Blackwell it is different. We are in spaces lit through stained glass windows so that we cannot see out or in corridors, perplexed by the height of the window sills. Some windows are almost fiercely geometric, others wilfully odd. Some frame views over Windermere as if to challenge anyone to compete pictorially, others frame views into the building itself. You can find yourself looking into the building through a window. Large passages and volumes of space are yoked together with intimate interstices, windowseats, squints and ledges. Then there are mirrors to pick up fragments of light. And then there are the great fireplaces, powerful statements of a type of which the architect M H Baillie Scott, in his seminal book Houses and Gardens of 1906, wrote ‘In the house the fire is practically a substitute for the sun, and it bears the same relation to the household as the sun does to the landscape.’ So light comes in; it also radiates out. It is, quite simply, a house of great and perplexing beauty.
I was asked to work with the house, rather than just provide an exhibition of pots.

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