Edmund de Waal
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word for word 2010
About
word for word

word for word2010
216 porcelain vessels in a black lacquer vitrine
180 × 102 × 16 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
All you can see 2010
About
All you can see

All you can see2010
31 porcelain vessels on a red aluminium shelf
10 × 117 × 8 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
All you can see 2010
About
All you can see

All you can see2010
31 porcelain vessels on a red aluminium shelf
10 × 117 × 8 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is

Tristia, 2007

About
Tristia

Tristia, 2007

31 porcelain vessels between two white lacquer boxes.
77 × 50 × 40 cm overall

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is

Tristia (detail), 2007

About
Tristia (detail)

Tristia (detail), 2007

31 porcelain vessels between two white lacquer boxes.
Overall 77 × 50 × 40 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
In a garden, two angels 2010
About
In a garden, two angels

In a garden, two angels2010
42 porcelain vessels within a white lacquer cabinet
50 × 83.5 × 32.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
In a garden, two angels 2010
About
In a garden, two angels

In a garden, two angels2010
42 porcelain vessels within a white lacquer cabinet
50 × 83.5 × 32.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
In a garden, two angels 2010
About
In a garden, two angels

In a garden, two angels2010
42 porcelain vessels within a white lacquer cabinet
50 × 83.5 × 32.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
An English matins 2010
About
An English matins

An English matins2010
42 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
An English Matins 2010
About
An English Matins

An English Matins2010
42 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
By the wall, standing 2010
About
By the wall, standing

By the wall, standing2010
43 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
By the wall, standing 2010
About
By the wall, standing

By the wall, standing2010
43 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
By the wall, standing 2010
About
By the wall, standing

By the wall, standing2010
43 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
A part of speech 2010
About
A part of speech

A part of speech2010
40 porcelain vessels with gilding in a white lacquer cabinet
43 × 90 × 10 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
A part of speech (detail) 2010
About
A part of speech (detail)

A part of speech (detail)2010
40 porcelain vessels with gilding in a white lacquer cabinet
43 × 90 × 10 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 1 2010
About
From Zero 1

From Zero 12010
7 porcelain vessels in a plaster-lined, white lacquer cabinet
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 2 2010
About
From Zero 2

From Zero 22010
7 porcelain vessels in a plaster-lined, white lacquer cabinet
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 3 2010
About
From Zero 3

From Zero 32010
7 porcelain vessels in a plaster-lined, white lacquer cabinet
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 4 2010
About
From Zero 4

From Zero 4 2010
9 porcelain vessels in a lead-lined, black lacquer cabinet

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 5 2010
About
From Zero 5

From Zero 52010
10 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 5 2010
About
From Zero 5

From Zero 52010
10 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 6 2010
About
From Zero 6

From Zero 62010
9 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 7 2010
About
From Zero 7

From Zero 72010
8 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 8 2010
About
From Zero 8

From Zero 82010
8 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is
From Zero 9 2010
About
From Zero 9

From Zero 92010
1 porcelain vessel in a black lacquer cabinet lined with burnt oak
43 × 43 × 22.5 cm

From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010

From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.

Installation photography: Michael Harvey


Exhibition Catalogues
From Zero
Essays
The nothing that is