word for word2010
216 porcelain vessels in a black lacquer vitrine
180 × 102 × 16 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
All you can see2010
31 porcelain vessels on a red aluminium shelf
10 × 117 × 8 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
All you can see2010
31 porcelain vessels on a red aluminium shelf
10 × 117 × 8 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
Tristia, 2007
Tristia, 2007
31 porcelain vessels between two white lacquer boxes.77 × 50 × 40 cm overall
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
Tristia (detail), 2007
Tristia (detail), 2007
31 porcelain vessels between two white lacquer boxes.Overall 77 × 50 × 40 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
In a garden, two angels2010
42 porcelain vessels within a white lacquer cabinet
50 × 83.5 × 32.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
In a garden, two angels2010
42 porcelain vessels within a white lacquer cabinet
50 × 83.5 × 32.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
In a garden, two angels2010
42 porcelain vessels within a white lacquer cabinet
50 × 83.5 × 32.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
An English matins2010
42 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
An English Matins2010
42 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
By the wall, standing2010
43 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
By the wall, standing2010
43 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
By the wall, standing2010
43 porcelain vessels with gilding within a white lacquer cabinet
50 × 83.5 × 32.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
A part of speech2010
40 porcelain vessels with gilding in a white lacquer cabinet
43 × 90 × 10 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
A part of speech (detail)2010
40 porcelain vessels with gilding in a white lacquer cabinet
43 × 90 × 10 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 12010
7 porcelain vessels in a plaster-lined, white lacquer cabinet
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 22010
7 porcelain vessels in a plaster-lined, white lacquer cabinet
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 32010
7 porcelain vessels in a plaster-lined, white lacquer cabinet
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 4 2010
9 porcelain vessels in a lead-lined, black lacquer cabinet
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 52010
10 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 52010
10 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 62010
9 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 72010
8 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 82010
8 porcelain vessels in a lead-lined, white lacquer cabinet
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey
From Zero 92010
1 porcelain vessel in a black lacquer cabinet lined with burnt oak
43 × 43 × 22.5 cm
From Zero
Alan Cristea Gallery, London
18 March – 17 April 2010
From Zero took as its starting point a line from Kasimir Malevich's manifesto The Non-Objective World: ''It is from zero, in zero, that the true movement of being begins". The works on display consisted of groups of porcelain pots which use wood, plaster, lead, charred oak, glass and steel to ‘frame' them. This included a sequence of white boxes, some lead-lined, others plaster-lined, which contain groups of vessels in varying white and celadon glazes. De Waal also exhibited his first vitrine piece, using glass and black steel to encase over 100 pots of different sizes.
Installation photography: Michael Harvey