their bright traces, 2021
their bright traces, 2021
Liquid china clay, gold, graphite, charcoal, wood, aluminium, glass73 × 72 × 222 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
their bright traces (detail), 2021
their bright traces (detail), 2021
Liquid china clay, gold, graphite, charcoal, wood, aluminium, glass73 × 72 × 222 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
to begin again, 2015
to begin again, 2015
88 porcelain vessels in an aluminium and plexiglass vitrine64.4 × 240 × 13.5 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
more letters to Lord Chandos, 2021
more letters to Lord Chandos, 2021
Porcelain, lead, red pigment, gold, aluminum, and glass77.5 × 30 × 10 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
letters to Lord Chandos, 2021
letters to Lord Chandos, 2021
Porcelain, lead, red pigment, gold, aluminum, and glass232.3 × 30 × 10 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
sub silentio, 2019
sub silentio, 2019
Porcelain vessels and steel shims within steel and Plexigass vitrines2 vitrines of 61 × 12 × 12 cm; 1 of 57 × 12 × 12 cm; 2 of 55 × 16 × 16 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
steel light, I-V, 2019
steel light, I-V, 2019
Porcelain vessels, steel shims, steel blocks and gilding, on five steel plinthsEach plinth 36 × 16 × 18 cm; overall dimensions variable
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
noontime and dawntime, 2019
noontime and dawntime, 2019
14 porcelain vessels and 58 steel shims in 2 steel and plexiglass vitrines with felted wood bases85 × 167 × 48 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
the second, loss, 2018
the second, loss, 2018
25 porcelain vessels, 9 porcelain tiles with platinum gilding and 5 steel boxes in 5 aluminium and glass vitrines272 × 94 × 12 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
a brief discourse (for Sir Thomas Browne), 2021
a brief discourse (for Sir Thomas Browne), 2021
Porcelain, gold, lead, wood, and glass82.5 × 120 × 20 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
Ancel, III, 2013
the ten thousand things, for John Cage, XIV, 2015
the ten thousand things, for John Cage, XIV, 2015
4 porcelain vessels and 3 Cor-Ten steel blocks in an aluminium box45 × 45 × 19 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
the ten thousand things, for John Cage, X, 2015
the ten thousand things, for John Cage, X, 2015
3 porcelain vessels and Cor-Ten steel block in an aluminium box45 × 45 × 19 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
five winter songs, IV, 2016
five winter songs, IV, 2016
6 porcelain vessels and 4 Cor-Ten steel blocks in a plexiglass and aluminium vitrine10 x 120 x 10 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
September Song, II, 2021
September Song, II, 2021
1 porcelain vessel, 2 gilded porcelain tiles with inscription and 1 alabaster block in an aluminium and glass vitrine70 × 42 × 10 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
Sunday Morning, 2021
Ryōan-ji (for John Cage), III, 2017
Ryōan-ji (for John Cage), III, 2017
3 porcelain vessels, 1 gilded porcelain tile and 2 alabaster blocks in an aluminium box45 × 45 × 20cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
vita silente, I, 2017
vita silente, I, 2017
5 porcelain vessels and 3 alabaster blocks with gilding on an aluminium shelf60 × 110 × 30 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
in time, II, 2017
in time, II, 2017
5 porcelain vessels, 5 alabaster blocks and 1 porcelain tile with gilding in an aluminium and plexiglass vitrine70 × 90 × 28 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
still beside you, with her empty hands, I, 2017
still beside you, with her empty hands, I, 2017
4 porcelain vessels, 1 alabaster block, 1 porcelain tile with gilding and 1 piece of silver in an aluminium and plexiglass vitrine70 × 42 × 10 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
tehllim, 2018
tehllim, 2018
11 porcelain tiles with gold leaf and 21 alabaster blocks in 11 aluminium and plexiglass vitrinesDimensions variable
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
the interdicted land, 2019
the interdicted land, 2019
38 porcelain vessels, 9 porcelain tiles with gold leaf, 10 porcelain tiles with embossed handwritten text, tile fragment with embossed handwritten text, and porcelain shards with gold leaf, in aluminum, wood, and plexiglass vitrine170 × 56 × 12 cm
their bright traces
Gana Art Center, Seoul, South Korea
9 March – 3 April 2022
Edmund de Waal's first solo exhibition in Korea takes place this Spring, and brings together works from 2013 to the present day.
winter pot, 2020
winter pot, 2020
winter pot, 2020
winter pot, 2020
winter pot, 2020
winter pot, 2020
winter pot, 2020
winter pot, 2020
