In 2007 I made a series of site-sensitive installations for exhibitions at Kettle’s Yard, Cambridge, and at mima, the Middlesborough Institute of Modern Art. There are various orders of multiples, all framed in some way – either by the domestic context of Kettle’s yard, or the white cube galleries of mima. I wanted to push at the idea of where ceramic things can belong, to play with a pre-established grammar of display. Much of this project was about not only finding places where objects can have a dialogue with architecture in a very invigorating way, but also playing architect, creating my own spaces, frameworks, in which to see the work.
