white island, I (for R.H.) 2018
About
white island, I (for R.H.)

white island, I (for R.H.)2018
10 porcelain vessels, 3 alabaster blocks and 2 aluminium and plexiglass vitrines on an alabaster plinth
57 × 58.2 × 37.7 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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white island, II (for W.B.) 2018
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white island, II (for W.B.)

white island, II (for W.B.)2018
6 porcelain vessels, 1 marble block and 2 aluminium and plexiglass vitrines on an alabaster plinth
Overall 39.5 × 81.5 × 21.5 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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white island, I (for R.H.); white island, II (for W.B.), installation view 2018
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white island, I (for R.H.); white island, II (for W.B.), installation view

white island, I (for R.H.); white island, II (for W.B.), installation view2018

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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white island, III (for W.B.) 2018
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white island, III (for W.B.)

white island, III (for W.B.) 2018
3 porcelain vessels, 1 marble block and 2 aluminium and plexiglass vitrines on an alabaster plinth
Overall 48 × 37.5 × 37.7 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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white island, IV (for R.H.) 2018
About
white island, IV (for R.H.)

white island, IV (for R.H.)2018
6 porcelain vessels, 2 alabaster blocks and 1 aluminium and plexiglass vitrine on an alabaster plinth
49 × 37.9 × 37.8 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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white island, V (for W.B.) 2018
About
white island, V (for W.B.)

white island, V (for W.B.) 2018
2 porcelain vessels, 2 marble blocks and 1 aluminium and plexiglass vitrine on an alabaster plinth
41.5 × 37.7 × 37.8 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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white island, VI (for W.B.) 2018
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white island, VI (for W.B.)

white island, VI (for W.B.) 2018
3 porcelain vessels, 2 marble blocks and 1 aluminium and plexiglass vitrine on an alabaster plinth
52.8 × 38 × 38 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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white island, VII (for R.H.) 2018
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white island, VII (for R.H.)

white island, VII (for R.H.)2018
4 porcelain vessels; 1 alabaster block and 1 aluminium and plexiglass vitrine on an alabaster plinth
49.5 × 37.9 × 38 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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Eivissa 2018
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Eivissa

Eivissa2018
1 porcelain vessel, 1 porcelain tile with gilding, porcelain shards with gilding, 1 alabaster block and Ibizan salt crystals in an aluminium and plexiglass vitrine
21 × 17 × 10 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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five winter songs, I, 2016

About
Five Winter Songs I 1

five winter songs, I, 2016

9 porcelain vessels and 1 alabaster block in an aluminium and plexiglass vitrine
10 × 120 × 10 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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installation view 2018
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installation view

installation view2018

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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installation view 2018
About
installation view

installation view2018

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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epyllion, 2013

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epyllion

epyllion, 2013

55 porcelain vessels in 3 aluminium and plexiglass vitrines.
188 × 210 × 12 cm each, 19 × 667 × 22.5 cm overall

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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epyllion (detail), 2013

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epyllion (detail)

epyllion (detail), 2013

55 porcelain vessels in three aluminium and plexiglass vitrines.
188 × 210 × 12 cm each, 188 × 636 × 12 cm overall

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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the first day and the first hour, 2013

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the first day and the first hour

the first day and the first hour, 2013

26 porcelain vessels in 7 wood, aluminium and plexiglass vitrines
40 × 169.2 × 17 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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in time, I 2018
About
in time, I

in time, I2018
6 porcelain vessels, porcelain shards with gilding, 9 alabaster blocks and 1 tin box in an aluminium and plexiglass vitrine
70 × 90 × 28 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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vita silente, I 2018
About
vita silente, I

vita silente, I2018
5 porcelain vessels and 3 alabaster blocks with gilding on an aluminium shelf
60 × 110 × 30 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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still beside you, with her empty hands, I-VI, 2017

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still beside you, with her empty hands, I-VI

still beside you, with her empty hands, I-VI, 2017

Porcelain vessels, tiles and shards with gilding, alabaster blocks, tin and silver in aluminium and plexiglas vitrines
Each vitrine 70 × 42 × 10 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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still beside you, with her empty hands, II (detail), 2017

About
still beside you, with her empty hands, II (detail)

still beside you, with her empty hands, II (detail), 2017

70 × 42 × 10 cm
3 porcelain vessels, porcelain shards, porcelain tiles with gilding and 1 tin box in an aluminium and plexiglass vitrine

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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still beside you, with her empty hands, II (detail), 2017

About
still beside you, with her empty hands, II (detail)

still beside you, with her empty hands, II (detail), 2017

4 porcelain vessels, 1 alabaster block, 1 porcelain tile with gilding and 1 piece of silver in an aluminium and plexiglass vitrine
70 × 42 × 10 cm

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

This summer, MACE is holding de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist has worked closely with the museum to create a special exhibition of recent white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé

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