Edmund de Waal

Making

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari

white island
Museu d’Art Contemporani d’Eivissa, Ibiza
8 June – 16 September 2018

In the summer of 2018, MACE held de Waal's first exhibition in Spain. 'This is the white island', says de Waal: 'the white of the salt flats, the foam breaking in the breeze. The white of the rock. The white haze.' A place of transition and exchange, the artist worked closely with the museum to create a special exhibition of white works - 'sculptures made for strong light' - alongside new installations, combining Paros marble, alabaster and Ibizan salt with his porcelain for the first time.

Photography: Lourdes Grivé, Vicente Mari