this must be the place
Gagosian, New York
13 September–28 October 2023
Installation view, 2023
Installation view, 2023
Installation view, 2023
a part of speech, 2023
a part of speech, 2023
Installation view, 2023
almost home, 2023
leaning late and being there, 2023
leaning late and being there (detail), 2023
it was evening all afternoon, 2023
it was evening all afternoon (detail), 2023
Installation view, 2023
salt, axe, stars (for O.M), III-V, 2023
Installation view, 2023
untitled (plainness and brightness; the darkness and crookedness), 2023
untitled (singing again out of the darkness), 2023
untitled (singing again out of the darkness) (detail), 2023
Installation view, 2023
nostos, 2023
nostos (detail), 2023
Letters to Amherst, I-III, installation view, 2023
Letters to Amherst, III, 2023
Letters to Amherst, III (detail), 2023
Letters to Amherst, IV, 2023
Letters to Amherst, IV (detail), 2023
Installation view, 2023
voices and instruments, I, 2023
voices and instruments, II, 2023
voices and instruments, II (detail), 2023
Installation view, 2023
Installation view, 2023
this must be the place, I (detail), 2023
this must be the place, IV (detail), 2023
this must be the place, VI (detail), 2023
to light, and then return—
Gagosian, New York
14 September–28 October 2023
and catch the heart off guard, 2022
Sally Mann, Tintype, Still Life #43, 2020
the wind and the light, 2022
Sally Mann, Tintype, Still Life #18, 2020
salt, axe, stars (for O.M), I, 2023
salt, axe, stars (for O.M), I (detail), 2023
Sally Mann, Tintype, Still Life #14, 2019
untitled (should you think it breathed), 2023
untitled (should you think it breathed) (detail), 2023
Sally Mann, Platinum, Stone #21, 2022
untitled (I could not weigh myself, myself), 2023
untitled (I could not weigh myself, myself) (detail), 2023
Sally Mann, Platinum, Stone #22, 2022
untitled (abroad is close to-night), 2023
untitled (abroad is close to-night) (detail), 2023